Posts Tagged ‘Leslie Tucker Jenison’

Leslie Tucker Jenison: An Inspiration Locavore



I knew Leslie Tucker Jenison would be a fun person to know when she zipped up to a gathering at Karey Bresenhan’s Franch in a Mini Cooper. Leslie draws inspiration for her artwork from her current location in Texas and also her former home in Kansas:  The language of my work draws inspiration from the world around me: natural surfaces, repeating patterns, music, and the people in my life. Leslie (along with Jamie Fingal) is also an active curator with the exhibit Beneath the Surface currently on tour.  Stop by Leslie’s blog to see her ink drawings on fabric, handmade gifts from her daughters, updates on her beautiful garden, and more.

1.   Why are you participating in the ONE fundraiser for the American Cancer Society?
I have been an enthusiastic supporter of Fiberart For A Cause since the beginning.  My mother was a breast cancer survivor. Unfortunately, I have many friends who have battled breast and other  forms of cancer. My participation is a small way of contributing toward research and better treatment solutions.  I love the “grassroots” feel of this: that so many people making small financial contributions can make such a big difference. It inspires me on many levels.

Silence by Leslie Tucker Jenison.  This artwork will be available during the ONE fundraiser on February 16.

2.  Where do you find inspiration?
Inspiration comes from many sources:  observations in my garden, repeating patterns, natural or political events.  There are times when something as simple as the piece of cloth I am doing surface design-work on will evolve into an idea for a piece.  As an artist, I think it is important to stay in the moment and spend time observing.

Heartland #5:  Field Burn This piece is part of a series called “Heartland”.  The series explores the meaning of home and place.  This particular piece is constructed of deconstructed screenprinting of ProcionMX dye onto bamboo batting and facial cloths, organza, and stitch, and is mounted onto black felt over stretched canvas.  It will be part of a show opening in early Feburary, 2011, at the Copper Shade Tree Gallery in Round Top, Texas.

3.  What are you working on in the studio right now?
I’m working on several things:  a 30-day challenge of small drawings using a ruling pen on cloth, one per day, done in 30-minutes.  I’m finishing a piece for an upcoming juried exhibition at the Copper Shade Tree Gallery in Round Top, Texas, which opens in February.  I’m also participating in a year-long project called the Sketchbook Challenge, which I hope will inspire others to participate.  I am also preparing to do surface design on cloth for a new quilted construction.

4. Do you collect art?  If so, how do you know a piece is right for your collection?
I do collect art.  I only purchase artwork that speaks to me, that I respond to.  I don’t care who has made the art:  that is not the most important thing to me, although I love owning work by artists I know. If I fall in love with a piece of art and decide to purchase it, I have never regretted buying it.  I enjoy looking at the art in my home.  I can always find a place for something new that “speaks to me”.

5.What advice do you have for new art collectors/new Patrons of ONE?
My advice is that, if you see a piece offered in the ONE fundraising event, purchase it.  It is truly a “win-win” situation:  the American Cancer Society receives needed money to fund research and the collector gets a piece of art!  Buying art that you respond to will never disappoint.

21

01 2011

A New Exhibit and A New Way of Working


Knowing (Boundary Waters 52) Photo by Deidre Adams.
48×36″
White cotton fabric, acrylic paint, felt, cheesecloth, upholstery fabric, black duck cloth, polyester fabric, silk fabric, recycled pieces from artist’s art quilts, oil paintstiks, thread. Hand-painted, stamped, screen printed, burned, hand-dyed, hand and machine stitched.

I am very pleased to have Knowing (Boundary Waters 52) juried in to Beneath the Surface, a special exhibit at the International Quilt Festival in Long Beach, CA from July 22-25 at the Long Beach Convention Center. The exhibit is presented by the Dinner at Eight Artists and sponsored by Moore’s Sewing Centers and Brother International.

Why did I agree to enter this juried invitational?  Two reasons. I liked the theme as it easily fit my current body of work and I respect the professionalism of the Dinner at Eight Artists, including co-curators Jamie Fingal and Leslie Tucker Jenison.

My artist statement for this artwork:

The first time I went to the Boundary Waters Canoe Area Wilderness, I saw rock, tree, water, sky. But curiosity and necessity have forced me over the past five years to fill my library shelves with books on the botany, biology, ecology, meteorology, geology, geography, ornithology, and mycology of the Boundary Waters.  Lying beneath the surface knowledge of just this small part of the world is detail built upon detail, layers and layers of knowledge — interwoven, timeless, and infinitely complex.

From the beginning I knew I wanted to do something different for this artwork.  Do you remember this in-progress photo from back in November ’09?

The  artwork was collaged (by stitching, not fusing) in earth/sky/rock/water fabrics (with a great variety of textures such as velvet, duck cloth, upholstery fabric, etc. – all hand-painted, and/or screen printed by me) and then I heavily stitched over the entire artwork with variegated rayon thread. Then I screwed my courage to the sticking point and went at it with oil paintstiks.  The result:


Knowing (Boundary Waters 52) - Detail.  Photo by Deidre Adams.

It’s definitely the kind of artwork (well, that would be ALL my artwork really) that needs to be seen in person to really appreciate the depth and texture.  I am admittedly in love with it because it is a perfect manifestation of my intent, my message, and my theme.

TWO SPECIAL NOTES:
Now that I think about it, this artwork is, in a way, very similar in technique.

If you need more news, subscribe to my free monthly e-newsletter by sending an e-mail with SUB as the subject line to Virginia(at)VirginiaSpiegel.com
The April edition goes out today with news about a new pair of boots with a purpose.

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04 2010