Gloria Hansen: The Diva of Digital
Gloria Hansen is one of those people who just overwhelms me with her talent, her generosity, and her ability to multi-task. In addition to winning over 200 (yes, 200!) awards for her artwork, she has written the definitive work for artists seeking to understand the whole image, pixel, Photoshop thing that is so important for entering exhibits. Her book, Digital Essentials: The Quilt Maker’s Must-Have Guide to Images, Files, and More! published by Electric Quilt Company, was a USA Book News “Best Books 2009” finalist. Two notable current shows include Visions 2010: No Boundaries, on display from Oct. 2010 – March 2011, at Oceanside Museum of Art in California, and Form, Not Function: Quilt Art at the Carnegie, on display January 7 – March 5, 2011 at the Carnegie Center for Art & History in New Albany, Indiana.
1. Why are you participating in the ONE fundraiser for the American Cancer Society?
Several reasons: I am very happy to be involved in this cause. While my contribution is small, I recognize that the culmination of every contribution can continue the flow of money to help develop the research that will make a positive difference in the lives of those now fighting cancer and to help prevent others from ever experiencing it Sadly, I’ve had people very close to me die of cancer. My father-in-law died of colon cancer. My dear aunt had breast cancer in her 30s and then died of it after getting it again in her 70s. Happily, however, there are others in my life that made it through treatment and are now cancer free. The differing outcomes hammer on the desperate need for research dollars to encourage screenings, find better treatments, and to ultimately find a cure for all cancer.
Three Birds by Gloria Hansen. This is one of Gloria’s artworks that will be available during the ONE fundraiser on February 16.
2. Tell us about your collages for ONE.
I used a variety of techniques that I’m fond of. I worked with digital prints on fabrics, thin metals, spun polys, and other subtrates. I also included fabric and papers that I painted with dyes and/or acrylic paints. I used different types of finishing methods such as black gesso to seal the edges of the work. My goal was to create a range of looks to hopefully appeal to a wider range of tastes.
3. What are you working on in the studio now?
My main fiber work is a series based on a digital collage of photographs taken over a period of several years. It’s my “Journey” series. The imagery is very personal, yet obsured and heavily layered. The first in the series is called “The Journey.” I also have smaller, experimental work going on which is mainly based on digital designs and prints on different substrates. I’m printing on thin metal and experimenting with ways of working the metal into my fiber work. I am also experimenting with printing the same image on mulitple types of surfaces – from sheers and poly spuns to papers and fibers, distressing layers to reveal layers underneath and so on.
While I love digital design and printing, I also enjoy painting and combining digital with layers of paint, and I’m also combining digital with some traditional hand embroidery, something I once did a lot of (in my early 20s, I earned a Master Craftsman in embroidery from the Embroiderers Guild of Ameria). Oh, I’m also about to stitch together a journal made of watercolor papers that I first painted and dyed and then digitally printed on.
The Journey by Gloria Hansen. See more of Gloria’s artwork on her website and stop by her blog for an interesting blend of art and technology news.
4. Where do you find inspiration?
Everywhere. I generally tend to look, really look, at nearly everything around me. I fixate on the color, line, shape, the compostion, angle of light, and so on. I’ve enjoyed photography from a young age and jumped into digital photography early on. As a result, I have thousands and thousands of digital images that I’ve taken over the years stored on many external drives. I’m constantly adding to those images. I’m also big on journals, sketchbooks, and idea books, which I’ll often refer to for inspiration. I’m fortunate in that I started with computer drawing and painting programs early on, and I’ve been working with Photoshop for nearly two decades. While there is always something to learn with that massive program, it’s second nature for me to experiment with ideas and images digitally. An afternoon in a book store or museum works, too.
5. What advice do you have for artists who are seeking their unique voice or direction in their own artwork?
First you have to develop your technical skills, including color and design. Then, when it’s time to seek your unique voice, you need to take the time to hear it. Stop taking popular classes for the sake of taking popular classes. Stop reading books and magazine on the latest craze. Stop concerning yourself with what everyone else is doing and making. Such things can become overwhelming and create a lot of confusing noise that will block your voice. Instead, give yourself daily solitary time to focus on your work. When you hit on something that excites you, immerse yourself in it. Explore it every which way. Take notes on what you are doing. Create small experimental pieces.
When you hit a wall, keep on working. Look at a few art magazines or visit a museum to charge up your creative juices. If you know some like- minded artists whose opinions you trust and whose work you admire, consider getting together to talk about what you are doing. Once a month or so can be and helpful. Most important, however, is the work. At times it will feel exhilerating, everything will click, and your voice will be clear; other times it will feel painful, nothing will come together, and you voice will seem silent. Regardless of where you fall on the scale, you must show up at your designated work area and do the work, especially when you do not want to. The goal should be every day, if even to sit for a while in your workroom and ponder. If you stay focused and consistently do the work, you will hear your voice and with it you will find your direction.
