Gail Myrhorodsky

Gail Myrhorodsky creates unique hand-painted art cloth in wonderfully saturated colors as well as fiber art using her own fabric. Creating art fabric is a very time consuming process as the fabric is first washed and prepped for dyeing and then individually painted.  After dye or paint has set, all fabrics are rinsed thoroughly (some over 10 times) to remove excess dyes. Then all the fabric is washed in very hot water and Synthropol, and rinsed several more times. Many of the bright and darkly intense pieces undergo a hot wash with Retayne as well, which helps prevent bleeding. Then they are dried in a hot dryer and steam pressed. Gail’s silk and cotton fabrics are available for purchase through her GailForces studio as well as at quilt events.

1.  How do you find/make time to be in your studio?

After work, dinner and clean-up, it’s time for my art. No questions asked. Even if it’s only for an hour, I make the time to do something I love.

2.  Describe your studio in five words.
Way too small for stash!

3.  If you could pick only one thing from your studio to represent your art practice, what would it be?
Organization – or lack of it thereof. My studio is actually the upstairs apartment of our 2-family home. The fabric room (bedroom) is overflowing with my hand-dyed fabrics. The kitchen has the storage of all the paints, stamps, stencils, bleaching agents and all theother tools for surface design except dyeing.  The dining room is my work space – several “my height” cutting/work tables, my sewing machine, serger and embellisher, iron and design wall. When any of these rooms starts to overflow, it’s time to re-organize.  One cannot create if one cannot find the supplies!

Gail is donating three fiber-licious BONUSES to Foto/Fiber 2012.
All three start with a fat quarter of hand-dyed cotton and then Gail is choosing coordinating items from among this list:
Coordinating dyed cotton, yarns, dyed threads and dyed cheesecloth andcotton batt, personally made clay embellishment, beads, dyed vintage doily, dyed silk and wool fibers, yarns, dyed threads, a super inchie, fun foam sculpted, embellishment, glue on petal jewels, sample of Misty Fuse, fat quarter hand-dyed and stamped, stenciled and painted,, metallic netting (gold & black), Angelina, beads, and more.

4. What is the best/worst space you have ever had as a studio?
My worst was a bookcase-separated corner of a living room. The best is my current setup – an apartment with plenty of storage shelves and cabinets.

5.  What would make a “dream studio” for you?
I would love a studio on the first floor with lots of windows and about 3 times the floor space. I could also use some extra space to store and use my spinning wheel.

6.  What would you advise someone setting up a studio for the first time?
I would advise to plan carefully for the work space for the type of work you enjoy doing. Have plenty of storage and as much “spread out” floor space as you can manage.

7.  Any unique features/studio pets you would like to share?
It’s not unique, but one of the smartest things I did was raise the main work table to my height so I don’t have to lean over all the time.I’m 5’8″, which isn’t all that tall anymore, but raising the table has saved me lots of pain.  I’m a pretty functional/practical kind of person, so Ialways think of the usefulness of my work tools before aesthetics.

Karen Musgrave is a quiltmaker, mask maker, teacher, speaker, writer, publicist and curator who works to provide a connection between American quiltmaking and other cultures. Her work has been exhibited internationally and is in many private collections. Her projects include curating an exhibition of the African American quilts from Gee’s Bend, Alabama, alongside quilts from the Republics of Georgia, Armenia and Kazakhstan. In 2006, she organized, curated,and wrote the catalogue for an exhibition of American art quilts and Krygyz patchwork.  Since July 2008, she has lead the quilt group Las puntadas del alma at the National Museum of Mexican Art in Chicago. She served on the national board of the Alliance for American Quilts as development chair, was involved for more than ten years with its oral history project Quilters’ S.O.S. – Save Our Stories and curated their highly successful quilt contest and touring exhibit Put a Roof Over Our Head. She served on the board of the Kentucky Quilt Project, Inc. and was elected to the board of the Naperville Art League in June, 2010.

Karen is donating three Fiber BONUSES to Foto/Fiber 2012.  One which includes three 1/4 yard pieces of silk made in the Soviet Union, purchased in Osh, Kyrgyzstan, and an ATC,  ”Memories of Kyrgyzstan” can be seen here on Karen’s blog.

1.  How do you find/make time to be in your studio?
I have always believed that time is a created thing. We do what we think is important. I am fortunate that I no longer have to “make/find” time to be in my studio. It’s simply something I do everyday.

2.  Describe your studio in five words.

Stimulating, messy, memory-filled, packed, fun.

3.  If you could pick only one thing from your studio to represent your art practice, what would it be?  

I think it would have to be my female Buddha mask. It shows my commitment to women, my interest in other cultures, my love of texture and applique and embracing fun!

4. What is the best/worst space you have ever had as a studio? 

In the basement of my first house, on a small table between the washer and dryer. Fortunately, the one light bulb in the place was over the table! I remain amazed at much much I got done. I worked in between loads of laundry.

5.  What would make a “dream studio” for you?
A space surrounded by nature.

6.  What would you advise someone setting up a studio for the first time?

Don’t worry about having all the bells and whistles. There is no right or wrong way. Just what works for you. Play attention to how you work so you can figure out how to facilitate the best environment for you. Think zones.

7.  Any unique features/studio pets you would like to share? 

My chocolate lab Meg was the best feature in my studio for more than ten years. She loved fabric! She would dig around in my scrap bin, find a piece she liked and carry it around. When the doorbell would ring, she would run into my studio, grab a piece of fabric and give it to the person who walked in. It always made people smile. Unfortunately, she died of liver cancer. My black cat E.G. does not like her picture taken (must take after me). When she sees the camera, she runs the other way!

8.  Any new exhibits or projects we should know about?

My book, Quilts in the Attic: Uncovering the Hidden Stories of the Quilts We Love, (Voyageur Press) is out.  I will be teaching at the Abruzzo School of Creative Art in Italy from August 22-29th.

 I welcome Suzanne Silk as one of the new artists of the Fiberart For A Cause family.  Suzanne is a surface designer, fiber-artist, photographer, print-maker, and painter.  Visit her website by clicking on her name above to be immersed in the beauty of silk transformed by the human hand.

Suzanne shared the following about her studio:

I created my “dream” studio as a live/work space. The main room is designed with custom cabinetry across one-wall, affording me the best possible answer for contemporary loft living + art-making, as well as for my private clients appointments. At the far side is a digital work station + office area which serves all my needs.

The brilliance of light for night + day work was paramount to me, as was the availability of great storage space. I use a variety of mediums in mixed-media surface design, such as: Hot wax-resist for the “Rozome”, textile dyes (reactive + acid dyes), pigment paints for silkscreening + devore and much more. I make my own silk-screens + these are housed vertically under an 18 foot padded “print-table top”. Metallic foils are ironed on as a final touch to each piece, as is machine quilting if desired. Behind “closed doors” reveals a specially designed space for my Koala sewing cabinet. It houses 2 Bernina machines + rolls out for additional surface. One never has enough surfaces to spread-out on!

Suzanne’s BONUS is going to be amazing.  Here are three photos of detail from her multi-layered surface design work on silk:

**Share the news about Foto/Fiber 2012, a fundraiser for the American Cancer Society, and be entered to win a copy of Cate Prato’s, Inside the Creative Studio, or a $25 gift certificate to Fiber On A Whim, or a pack each of TAP and ExtravOrganza, also from Fiber On A Whim.

Diane Doran

Diane Doran uses machine piecing, appliqué and digital imagery to create complex, heavily quilted contemporary quilts.  Her quilts have been exhibited nationally and won awards at many of the major shows. A background in engineering has led her to use computer generated images and designs for much of her work work.  She shares her techniques in a DVD for Interweave, has appeared numerous times on Quilting Arts TV, and is a columnist for Machine Quilting Unlimited. Visit her Ooh! Pretty Colors blog, which I love for the name alone, today for photos of her completed postcards and the specific fabrics she will be including in her Foto/Fiber 2012 Fiber BONUSES.

1.  How do you find/make time to be in your studio?
I have to make time to be in my studio. Deadlines are usually the best way to get me there!

2.  If you could pick only one thing from your studio to represent your art practice, what would it be?

One of the in-process pieces hanging on my design wall behind my sewing machine.

3. What is the best/worst space you have ever had as a studio?

The best and worst space I’ve ever had is my current one. It’s in the basement and has no windows. Before I installed new lighting it was very difficult to work, and also difficult to organize my supplies without moving lights around. With good lighting I’m now able to easily see what I’m doing, and take photographs for the design work I do, articles I write, and of course my finished work. Regrettably it’s still cluttered!

Diane is donating three Fiber BONUSES to Foto/Fiber 2012.  You may assume that these feathered friends will be transformed in to fiber art postcards by Diane.

4.  What would make a “dream studio” for you?
I would love to have a larger space with windows, a sink, a surface design area, and computer. My current studio has a wonderful setup for sewing and quilting, but all other aspects of my work are done in other areas of the house.

5.  What would you advise someone setting up a studio for the first time?
The three things that I think are essential to a studio space are good lighting, storage that works for your needs, and a sewing surface that is large enough to handle the size work you do. Two of the best investments I’ve made for my studio are a Koala sewing table and daylight fluorescent lighting.

6.  Any exhibits or projects we should know about? 

My instructional DVD for Interweave, Digital Collage for Quilt Design from Start to Finish.

******Share the news about Foto/Fiber 2012, a fundraiser for the American Cancer Society, and be entered to win a copy of Cate Prato’s book, Inside the Creative Studio, a $25 gift certificate from Fiber On A Whim, or a package each of TAP and ExtravOrganza also from Fiber On A Whim.

I have long admired the bold and colorful artwork of  Nancy G. Cook. Her artwork features larger-than-life images of nature with seedpods being a frequent theme.  According to Nancy, the seedpods are symbols of the gifts that come with maturity. Her artwork has been featured in numerous solo exhibits, is held in permanent collections, and among her many awards is Best of Show in the It’s a Green World exhibit at the Aullwood Audubon Center.

1.  How do you find/make time to be in your studio?
I retired 10 years ago to create art full-time. It was a joyous occasion that I have never regretted. Everyone knows that this is my new career and take it seriously. My husband is a terrific support and does 90% of the cooking so even my meals are stress free.

2.  Describe your studio in five words.

Mine, large, over-flowing, changing and inspiring

3.  If you could pick only one thing from your studio to represent your art practice, what would it be?
My box of tree seed specimens that I have collected locally and in area botanical gardens. They are a constant source of inspiration.

Nancy is donating two Fiber BONUSES for Foto/Fiber 2012. This detail gives you a preview of her textured hand-dyed fabric, a piece of cheese cloth hand dyed by Els van Baartle, a piece of red shibori by Lunn Fabrics, a silk rod, 3 hand dyed silk cocoons, and more.

4. What is the best/worst space you have ever had as a studio?
The worst space I have had for a studio was my dining room table where it was always seen as a “mess” that needed to be put away.
While I love my current studio and spend lots of time here, the best space for a studio was the two-story studio I had at McColl Visual Art Center when I had a 4 month residency with other artists nearby in their studios and with several galleries in the building.

5.  What would make a “dream studio” for you?
A dream studio for me would include space for everything I currently use and everything in its space with no leftover material or tools from previous creative processes, and an area to set up to photograph my largest works.

My unique studio features are the set ups that my husband created for me. My cutting, sewing, and pressing surfaces are at good height for me ergonomically and really reduce the strains. He made a sewing table that has space to handle quilting a large piece. My sewing machine drops flush into the table. And I now have a new Pfaff machine that drops into the other side of the table. Either can be used or taken out to create a larger surface.  And I love my bright red chair that is very supportive and comfortable.

 8.  Any exhibits or special projects we should know about?
Currently 18 pieces of my Seed Play series are on exhibition at the North Carolina Botanical Gardens in Chapel Hill, NC from January 9 through February 26. Read more about this exhibit and series on my blog.  In March I will have a solo show at MONA gallery in Charlotte NC and next year I will have a solo show in the NC Arboretum in Asheville, NC.

This is the second of Nancy’s Fiber BONUSES showing details of a piece of hand dyed and painted silk fabric from Sue Benner, a pouch of silk hankies hand dyed by Janet A. Lasher, hand dyed cheese cloth, ribbon, 3 silk cocoons and more.  Did you know that after you choose a photo on February 15, you may choose Nancy as your BONUS artist? And that 100% of your donation goes directly to the American Cancer Society through Fiberart for a Cause?  Learn more here.